Tom works with SaaS founders and marketing leaders to turn complex products, launches and growth stories into content people actually connect with. His time goes on ideation and creative strategy — the marketing problem first, the film second. His background is commercial rather than creative, and he's supported businesses from seed to IPO, SumUp and Navan among them. He hosts Dojo's podcast, The WTF Happened There.
Runs most mornings, follows far too many sports, and takes every excuse the job offers to travel.
Sam started Dojo a decade ago, after twenty years directing and producing for global brands, much of it in documentary. He's the reason sustainable production practice is a default here rather than an add-on. Today he leads ShowUp, Dojo's sister business, which helps founders publish consistent, strategic content on social — he remains a founder and shareholder at Dojo, and the two businesses work side by side.
Spent most of last year teaching himself Japanese, and is still at it.
Sophie leads Dojo's global production team, taking projects from concept through to delivery. Years of producing brand and marketing content have built her a crew network across most time zones, which is why Dojo can under-promise and over-deliver as a matter of habit rather than luck. She's the person you want in your corner when a shoot gets complicated — and the reason clients come back.
Based in Barcelona with her husband and daughter, after several years in Australia. Still hasn't stopped travelling.
RoPu finds the story fast. She builds narrative that holds attention and — unusually for an editor — starts from what a film needs to achieve commercially rather than from the footage, which is why clients notice when she's on their project. She also leads Dojo's motion design and animation, and much of the studio's in-house design work. She and Sophie worked together long before either joined Dojo.
Takes a month off every year to cycle somewhere improbable: Kyrgyzstan, Kenya, and this year China, usually with her son.
Adam joined Dojo in 2026 and leads the commercial side of client projects, working with marketing leaders and C-suite teams. He thinks in distribution rather than deliverables: his background is social-first content, so he starts from how an idea will land in a feed, then works out how far it can stretch — into a wider campaign, an episodic series, or sales enablement a team will use.
A serious football fan, and the person most likely to derail a Monday call with the weekend's results.
One of Dojo's earliest hires, Eve has spent over four years producing work across three continents: documentaries in Africa, energy installation films in Canada, product shoots in Swedish studios. She works alongside Sophie and owns projects from brief to delivery. Having started her career in front of the camera, she's unusually good at getting the people in front of it to relax and say something real.
Belfast-born and London-based, and still insists Sweden was the coldest shoot she's ever worked on.
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